Looking Stolas’ Way In A Helluva Music Video

Disclaimer: 

This is an analysis and review of a music video associated with an animated series that contains content aimed at mature audiences. Reader discretion is advised. 

 

It was revealed at this year’s Anime Pasadena that during the wait for the eighth episode of the second season of Helluva Boss [27] [150], there will be a surprise starring one of the series’ most beloved characters premiering in December [31] [74] [152] [152]. Quite ironically, it is an animated music video for what used to be considered a fanmade song until it received enough validation to become canonised [105]. Several of us suspected that the song would be “Look My Way (Stolas’s Lament)” by PARANOiD DJ…and it turns out that the predictions were true [120] [121] [151]! There may have not been some time to produce an official music video for “Root Of All Evil” by Silva Hound and Eric Lindbeck during the production of the two seasons [146], along with the first season of Hazbin Hotel, but we get to hear a Goetia prince sing once again about a month after the releases of the trio of Helluva Boss YouTooz figurines and the twenty-fifth anniversary of The Powerpuff Girls [46] [47] [103] [189] [190] [191]. It was anger-inducing to hear about Vivienne Medrano, the creator of the series getting doxxed…again, along with Gooseworx, the creator of The Amazing Digital Circus and a dear friend and employee of Medrano also getting doxxed during a livestream around that time [16] [18] [34] [45] [61] [140], but near Christmas, we will be okay, especially after the huge improvement of the second season [88] [89] [91] [156]. 

I aim to ensure that a certain mistake that almost destroyed my motivation to review any more episodes of Helluva Boss will not be made again after publishing this analysis [7] [9] [182] [183]. Another reason for my reviews of “Ozzie’s”, “Queen Bee”, “Unhappy Campers”, “Oops” and the mid-season special wondering aimlessly in development hell besides how I like to write about other topics for the sake of variety is the constant fear of being bitterly labelled as a “complete idiot”, a “VivziePop stan”, a “Helluva Boss simp” or even a “misogynist” for pointing out the positive aspects of the series rather than criticising its writing and so on, along with a big misunderstanding on Twitter/X discouraging me [7] [9], yet I do not condone harassment against those who do not love the series as much as I do as I can at least be a good sport about my coping mechanism being considered flawed [134] [145], along with those who find my reviews flawed [51]. [105]

On a lighter note, I hope many fellow hazbeans, especially the ones who cosplayed as characters from the series had a swell time at Anime Pasadena before Black Friday and Thanksgiving [148] [166]. Along with the importance of refraining from making a certain mistake again [7] [9], it is vital to stay truthful and ensure that credit and credibility are given to those who deserve them, especially after being wronged by someone trying to take them away for themself [66] [78] [79] [80]. As for the music video, things sure are going to happen after we sinners tuned into “Look At Me” from the sixth episode of the second season and the songs from its mid-season special [21] [83] [86] [104] [106] [107]! [105]

The music video begins with what was hinted at in the second sneak peek on X, formerly known as “Twitter” (despite the platform’s downfall [119]) [29] [75]. The butler is still loyal, despite being used as a stress ball during the hostility between the royal “couple” [88] [96] [105]. The diamond-shaped gem in a box appears to be an Asmodean crystal gifted to Stolas by Asmodeus, which could be a plot point in a future episode [98] [105]. The prince entering a galactic realm that was hinted at in the first sneak peek is a galactic canvas [30] [74] [105] [153], blessing eyes for artistry. I am starstruck when he and his forbidden lover appear as constellations later on [105], especially by how one end of a string is tied to his pinky, leading to me suspecting that he could make some amends that will be explained later on. Lastly, how he lands in what appears to be another part of the galactic ocean vaguely reminds me of the scene in The Twilight Saga: New Moon where Bella Swan jumps off a cliff and almost drowns [173]. The whole structure of the music video respectfully nails what could have been interrupted when we first tuned into the original version of “Look My Way” and it is a blessing that Bryce Pinkham’s voice for the canonised version is NOT artificial intelligence [77] [122] [125].

The moment my owl daddy took hold of the moon and held it close to him made me thank Satan that he did not eat it. Besides, it is not red…or cheese [58] [128]. Jokes aside, you can sense the emotional quivering from Pinkham’s vocals, just like in “Stolas Sings” [98] [105], which shows that he can be more than a juicy dose of fan service [3] [4] [5] [82] [158] [159] [168]. Satan bless Horseless Cowboy for the casting and voice production! [105]

Could the string keeping two constellations attached be a pinky promise…or a future commitment [105]? There must be some way Stolas’ love for Blitzo can flourish outside of improv puppet shows at conventions [140] [141]. The ambition put in the animation seems to have increased with my owl daddy and the Blitzster as constellations during a moment of visualisation, as well as the moon being the case that kept the red constellation away near the end of the song [105]. The whole scenario can be compared to “It’s Over, Isn’t It”, a musical number from Steven Universe [48] [60]. [105]

Previously, we were bewitched by the visual upgrades in the sixth and seventh episodes of the second season that were provided by ToonCity, an animation studio in Vancouver [89] [91]. The upgrade is once again engaged to make up for the visual inconsistencies in “Seeing Stars” [96] [105]. We get some glimpses of Stolas’ stunning library [29] [105], which adds to the beauty of the mansion, but what glitters is not always gold. But speaking of gold, the golden essences during the second verse of the song are enchanting with stars that resemble inverted crosses, making the series maintain its satanic vibes [93] [94]. Well, at least to my keen eye for detail. Before the second verse, the galactic landscape Stolas steps into is a brief rehash of the moment he lulled Little Octavia back to sleep with a rock ballad in “Loo Loo Land” but without any breathtaking destruction [88] [105]. The splash as he launches to reach the moon is extraordinarily done, along with the starry aura from Stolas as he soars [105]. Other remarkable details include his elegantly wading footsteps, his glossy tears and the stars within his constellation form alongside the Blitzster’s. The animation progress at SpindleHorse with the help of ToonCity has kept the visuals polished for a canonised music video, just like a highly effective skincare routine for a pretty face [144] [147].

No matter how excellent the art style or animation is [105], I do not condone leaking content from Patreon. I support hardworking and talented artists earning the money they need to support themselves and their loved ones [14]. While showing respect for talent by paying, let us keep wishing the former employees of SpindleHorse all the best, despite some alleged difficulties over a year ago [22] [26] [32] [35] [188], give kudos to the talented animators who worked magically on this music video and show support to passionate fan artists, including a certain right-hand queen [105] [149] [182] [183]. [105]

Has this music video enriched Stolas’ overall portrayal in the series [105]? I would definitely say so! As equally emotional as both the original fanmade version and the canonised version of the song are [105] [122], I am up for seeing him try to become a better person as hinted as he launches from the waters like Superman [68] [105] [197]. I have nothing against some hazbeans preferring his old villainous nature that was hinted by his lack of compassion for those affected by global warming in the recently decanonised pilot [19] [20] [33] [93] [94] [149], but it might break some hearts if he would gradually devolve back into that state [169]. Deep down, he must deeply regret not minding a few boundaries, most notably in “Murder Family” and must have reflected on that after the events of “Ozzie’s” [90] [92]. I am aware that the character building and handling of serious topics in Helluva Boss can be considered nowhere as touchingly complex as the emotional depth and character progressions in BoJack Horseman [2] [62] [114] [161] [163], but we hazbeans can still take a whiff of the sweet aroma of a fanmade song becoming canonised by the power of Bryce Pinkham’s talent and a new take on Stolas’ depth during his lament [105] [122] [126].

Satan knows that I am not the only sinner who finds Stolas so handsome [72]! Satan also knows that I still need some coping mechanism due to the ongoing abuse against autistic people and the dehumanisation of them in the living world [121], especially in the United Kingdom [1] [11] [12] [13], yet I am always relieved when life-saving solutions get established [181]. However, I still feel like at least one person will suspect that I am a “stupid piece of sh** with a lack of a good judgement” for considering Stolas my favourite character of the series [62], but I still do not condone any hate towards those whose opinions do not conclude to mine, so please do not comply to low that can be stooped [51]. [105]

I am aware that Stolas has been portrayed as a homosexual deviant since the pilot [93] [94] [123], but chances are that he is also biromatic in addition to his more wholesome nature outside of his sex life [174]. Man, if he had stayed villainous during the first season’s development, his relationship with Lisa Cooper would be entirely different [149] [186], making the Pride Ring more like a punishment for selling her soul [36]. Aside from that, it sure is great to analyse something Helluva Boss-related again during the canonisation of a lament and after a few reflections during a five-month break [182] [183]. [91]

Apparently, there will be a duet performed by my owl daddy and his Blitzy at some point in the rest of the second season [113] [150], which must be another big sign of their relationship’s unhealthy one-sidedness eventually being renewed as something remarkable [90] [91]. I understand that most of the LGBTQ+ representation in Helluva Boss has not been as inspiringly, emotionally, and realistically portrayed as specific character developments in Heartstopper, a Netflix series based on a graphic novel and webcomic series by Alice Oseman [115] [116] [118] [162], but Stolitz provides one lesson that many young people in their late teens and twenties ought to learn; having sex is NOT going to solve all your problems [50]. Somebody ought to tell Larry Laffer that [10] [117]. Ever since after the release of “Truth Seekers” [100], I have suspected that there would be…something there, despite their relationship being established for the wrong reasons [98]. Besides, contrary to what some critics have claimed [145], Stolas is NOT a rapist as he agreed with why Asmodeus does not approve of the use of love potions in “Oops” [91]. I shall look forward to the Blitzster singing with my owl daddy in possibly “Full Moon”, the upcoming eighth episode of the second season [113] [150], especially if only one owl was allowed to lick an antiheroic imp’s face [154].

I am aware that Stolas has been portrayed as a homosexual deviant since the pilot [93] [94] [123], but chances are that he is also biromatic in addition to his more wholesome nature outside of his sex life [174]. Man, if he had stayed villainous during the first season’s development, his relationship with Lisa Cooper would be entirely different [149] [186], making the Pride Ring more like a punishment for selling her soul [36]. Aside from that, it sure is great to analyse something Helluva Boss-related again during the canonisation of a lament and after a few reflections during a five-month break [182] [183]. [105]

Stolas is my owl daddy, but as previously mentioned, he is more than just fan service [111] [130] [132] [133] [157] [160]. While Chaz from “Exes and Oohs” has been considered a problematic representation of being beyond straight, despite his quirky nature and oddly charming musical number [87], Fizzarolli’s relationship with Asmodeus has been considered a fan favourite for how realistically and wholesomely portrayed it is in “Oops” and the mid-season special [89] [91]. Aside from how I see the potential for Stolitz to eventually blossom into that level [98], it would be even more ironic if Andrealphus hooks up with Barbie-Wire in the future of the series [44]. Giggty giggty goo [172]! [99]

Many of us suspected that the “She” in the third verse of the original fanmade version is Octavia, Stolas’ daughter [121]. Quite unfortunately, this was changed in the canonised version to solely focus on his love for Blitzo [105]. To those who think Stolas has NOT been a good parent throughout the series [88] [96], it could be worse. He could be as neglectful as Buck Cluck from Chicken Little because of Paimon’s appalling parenting in “The Circus” [98] [142] [164]. But thankfully, he aimed to fix his mistakes in “Loo Loo Land” and “Seeing Stars” [88] [96]. I know that Octavia does not want to lose her father, yet the moment he almost drowns near the end of the music video could be another red flag besides that one hint in “Oops” [37]. Being the child of two parents who are about to divorce is not easy, but in Via’s case, it can provide some character development with possibly some more aid from Loona’s [96]. Technically, Via was only sixteen before August 2020 when the old Voxtagram stories were being told [53] [54] [55] [57], but once she turns eighteen, there ought to be something...more effective than the lullabies she was soothed back to sleep by when she was an owlet [88], but who knows when she will mature even further with age?

If any predatory fiend goes near Octavia, her father will DESTROY them [102]! As for her possible future stepsister, she can hopefully start speaking again in a future episode and be portrayed in a way more unmistakable than her portrayal in “Seeing Stars” [73] [96], proving that she cannot be as hateful as she seemed in the pilot [41]. And despite a few changes in the lyrics of the canonised version of “Look my Way (Stolas’ Lament)” [105], I highly praise it for maintaining what PARANOiD DJ intended when he was producing the original fanmade version [122]. [53]

I still hold no ill will towards Stella stans who have expressed dismay towards her character being written as quite an unrealistically portrayed abuser ever since “The Circus” [98]. Just because an animated series proves that women can be abusive too, does not mean that it is blatantly misogynistic. Hell, Loona had her best portrayal in the series yet and Beelzebub played a pretty good supporting role as her crush’s girlfriend in “Queen Bee” [95]. Moreover, the amount of supposed disrespect towards the female characters has not stooped as low as sentencing them to constant fetishization, which was the way the three teenage protagonists of Totally Spies! were treated [40] [49]. I wonder if Stella is also acquaintances with Asmodeus, possibly using the way he called Stolas out for his affair in “Ozzie’s” to her advantage [92], which could make Asmodeus remain a neutral character, even after our hearts melted for his relationship with Fizzarolli [89] [91]. Would she really get nothing if Stolas dies, according to Andrealphus…or will she find true love after a long overdue divorce in a villainous way [102] [187]? Either way, please do not be hostile towards any Stella stans, despite her true colours, okay?

I still see the potential of Striker becoming an official love interest for Stella, as hypocritical as that would make them [67] [102] [187]. Hell, Blitzo referred to Asmodeus and Fizzarolli as hypocrites in the mid-season special for a reason [89]. If Helluva Boss does not evolve into a partially feminist series, I can always keep portraying Lisa Anne-Marie Cooper, my own Hellaverse character as a mature, intelligent, emotionally driven, and tender-hearted young woman without any “Mary-Sue” traits [186] [187]. If you consider yourself an anti-feminist, even as a content creator, please be rational and mature about it and do not use it as an excuse to be misogynistic [38] [39] [194]. [98]

I believe that the music video has added a little bit of effectiveness to the series’ lore [105]. I also do not find the overall lore terrible, but it has been quite muddled throughout its build-up in the series, which is why some hazbeans and I suspect that it can be built more neatly with holes being filled by establishing a webcomic series consisting of issues that take place between episodes and perhaps a spin-off series that is focused more on a specific character, such as Stolas [24]. I also still stand by how the lanky prince ought to not be consumed by a toxic victim mentality to boast his likeability even further, especially after his supporting role in “Oops” as it worked for Heidi Turner during her breakup with Eric Cartman in the season finale of the twenty-first season of South Park [91] [165] [180]. Moreover, the premise of the music video could be a sign of Stolas realising that he could be partly to blame for the unhealthy aspect of their relationship after the events of “Ozzie’s” and the ending of "The Circus" or the events of “Oops” [91] [92] [98] [105]. At least that is what PARANOiD DJ hoped for when he released the original fanmade version of the lament [122]. It takes consideration to further improve a series’ writing after quite a lot of backlash towards a new season’s start [184] [185].

I am not saying that Stolas is at fault for being in an loveless marriage [98], but he could still be partly to blame for the unhealthy aspect of his affair [90] [93]. Moreover, I believe that he can still bounce back from what he has gone through [98] [102]. The public shaming he got in “Ozzie’s” may have been considered some form of karma by those who disapproved of him cheating on Stella [88] [92] [99], but that did not age too well [91] [98] [102]. Perhaps Stolas’ attempt to not always see himself as the victim can set up a good example for Via [165]. [105]

While what was not broken back then does not get “fixed” for a big comeback [167] [177] [178] [179], there can be room for even more improvement as the rest of the second season has the potential to be as elevating as its sixth and seventh episodes in terms of writing [89] [91]. And yes, even my owl daddy can be critical of some episodes [195]. “Unhappy Campers” may be one of the most controversial episodes due to the partially questionable portrayal of Barbie-Wire, Blitzo’s twin sister and a mixed response to Moxxie and Millie’s character developments [25] [81] [101], but it has a better subplot than the one “Western Energy” has and chances are that the rest of the second season can excel [27] [102]. [101]

In conclusion, it is wonderful to see another official Helluva Boss music video three years after the loveliness of the full version of “Oh Millie” from the pilot [70] [105] [108]. If Stolas remained an antagonist during the post-pilot production of the first season [19] [169], he probably would not have become my favourite character of the series [88]. As previously mentioned, I personally think it would not be a good idea to change him back into that in the future of the series [33] [149], especially after being starstruck by the canonisation of “Look My Way” by PARANOiD DJ [105] [120] [121]. However, could Stolas die a hero...or live enough to become another villain [171]? Despite how the pilot is no longer considered canon after this year’s Anime Pasadena [20] [33], yet it had been considered not entirely canon since late 2020 [15], I still hold it dear to my heart, especially before a four-year celebration of it that could be a remaster [28] [84] [93] [135] [136]. Furthermore, I have nothing against those who prefer the continuality of it and the old Voxtagram stories from 2020 over the second season [56] [184] [185]. It may be a bummer that Coyote Vs. Acme has allegedly been cancelled [65], but we can still be thankful for the remaining motivations, even after Thanksgiving [71] [129] [175]. Happy Holidays, even in Hell, fellow hazbeans! 

What a beautiful and tear-jerking way to end 2023 for Helluva Boss before Hazbin Hotel airs over two weeks after New Year’s Day [23] [69]! Hellelujah! You can say that considering “Oops” and a mid-season special the best-written episodes of the second season and analysing the official music video for “Look My Way (Stolas’ Lament)” has slipped that missing rainbow back into my vagina after my departure from Twitter/X [8] [95]. I can still browse the platform for research purposes, but I do not want to go back to what nearly wrecked me and my love for Helluva Boss. Hopefully, some miracle in a future episode can slip a dazzling comet into Stolas’ cloaca [98]. I still thank every single fellow sinner who takes their time to acknowledge my articles on Medrano’s Hellaverse and so on [52] [63] [110] [124] [127]. Be sure to show some appreciation for some outstanding fanmade animations too [196]! [105]

Don’t you think “Act your age!” is a close-minded suggestion in certain areas [76] [131]? After all, not all cartoons are aimed at children and age should not dictate our timelines [64]. Who knows when The Simpsons Movie will get a sequel and hopefully end the series memorably [112] [143] [176]? And who knows which characters will be part of the next wave of YouTooz figurines aside from Millie [192] [193]? The next stop for musical lovers is the musical starring the lovely and timeless Betty Boop at the CBIC Theatre in Chicago [42] [43]. Satan bless Medrano for their delightfully demonic creations [59]! Stay sinful! [103]

 

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