Thursday, 21 July 2022

The Powerpuff Girls And Foster’s Home For Imaginary Friends To Be Reimagined

It has been announced by no other than Craig McCracken that a second reboot of The Powerpuff Girls is in the works, along with a reboot of Foster’s Home For Imaginary Friends [25] [41]. Aside from how I fondly remember watching both cartoons on Cartoon Network when I was a child, I am absolutely starstruck that my articles on what to expect in a second reboot of The Powerpuff Girls and a revival of Foster’s Home For Imaginary Friends have predicted the future [50] [51] [52] [53]. And yes, this is not the first this has happened to me as we shall expect to see the official trailer for a Tomb Raider anime soon [45] [46]. Money cannot buy back a star after betrayal [21], but it can buy a second chance and a reimagining in the right hands at the right time. The fact that the creator of both shows is willing to reimagine them just reeks of faithfulness rather than just the scent of money [25] [41]. Moreover, how about a discussion on what to expect in TWO reboots for the price of one before bedtime, just like how I reviewed the third and fourth episodes of the first season of Helluva Boss in one sin over a year ago [44] [45]?
I am delighted to be proven wrong on this one [48]. Well, as for my article on a revival of Foster’s Home For Imaginary Friends, I would say that one has only partially predicted the future as there is an obvious difference between a revival and a reboot [50] [51]. Nonetheless, I shall expand on what ought to occur in a new series – reboot-wise, along with a second reboot of The Powerpuff Girls [25] [41]. [50]

How can a reboot of Foster’s Home For Imaginary Friends be imagined in the 2020s? It would be expected that it will feature characters using today’s technology, especially smartphones. Mac and Bloo would likely make quirky videos on a parody of TikTok, even though that sounds rather detestable if you ask me [27] [43]. But more importantly, as previously stated, there ought to be brand new characters that will consist of some positive representation, such as a deaf child with their own imaginary friend who communicates in ASL (American Sign Language) and a gay, lesbian, transgender or non-binary character for teaching a young audience that there is nothing wrong with homosexuality and transgenderism or what being non-binary is like [52] [53]. As an online blogger [3], may I suggest establishing an online journalism blog on the website for the home? As unlikely as it seems that it would be as outstandingly imaginary as the original series that ran from 2004 to 2009 [19], despite McCracken’s confirmed participation [25] [41], I still do not want a reboot of an outstanding mid and late-2000s cartoon to make the same mistakes Teen Titans GO and the first reboot of The Powerpuff Girls made whilst catching up with today’s societal elements for today’s youth [42] [50] [51]. 
Regardless of whether the continuation of the original series will be disregarded or not, I am delighted that Craig McCracken is willing to bring a foster home for so many imaginary friends back in business later this decade [25] [41]. Considering the original series ended thirteen years ago [19], I suppose there is a need to reboot the series rather than revive it. Besides, a reboot can still provide some explanations that were not there in the original series [12]. It worked for Clank’s creation in the reimagining of the first Ratchet and Clank game [36]. [10]
For more suggestions on how to make a reboot excel, despite the previous suggestion to revive the original series instead, I still suggest providing some new in-character exploration for the supporting characters, including Wilt, Eduardo, Coco, Duchess and Mr, Herriman and minor characters, such as Nancy, Peas and Crackers [50] [51]. Frankie can use a smartphone and own a parody of a MacBook to make the reboot more “modern”, but convincing portrayals of re-established characters would be more important than that. [14]

There is a lot of hope for the second reboot of The Powerpuff Girls to not crash into controversy and burn on a grill of corny overreliance on real-life trends like the first one did. The second reboot should definitely bring back Ms. Bellum and the narrator, along with more intense fighting, but obviously not let it too far. Despite my theory on the first reboot actually being a continuation of the original series with the girls attending Midway Elementary School, I am sure that Pokey Oaks can return in the second reboot to honour the original series even more. Furthermore, a new version of Bliss ought to be a student at a new high school in Townsville possibly named “Townsville High School” as a freshman in the second reboot as she is indeed several years older than them. The metaphor for transgenderism Donny consisted of in the first reboot should not make that same big mistake again by being presented respectfully in the second reboot for the sake of positive LGBTQ+ representation in animation primarily for children [50] [51]. I am up for faithfulness to what the creator intends, but I would still give aspects from mostly disliked adaptations a second chance to avoid possible bias. 
Even though I still cannot dislike Bliss in the slightest, a faintly improved portrayal of her from the first Powerpuff Girls reboot ought to be a student at Midway Elementary School while the girls attend Pokey Oaks again in the second reboot. [39]
As for other aspects of the controversial first reboot [50] [51], do you know what I would say? If it hasn’t been fixed, don’t break it again. [15]

Will a reboot of Foster’s Home For Imaginary Friends at least stick to what McCracken intended as well [25] [41]? As I have mentioned before, the original series was amazing, but not immune to criticism [52] [53]. I still firmly suggest reducing Bloo’s self-centred side to make a new interpretation of him more likeable and sympathetic [22]. And please, please, please! Let Frankie Foster enjoy her job more by providing the respect from the friends she deserves and possibly letting her find a love interest who could be a new carer at the home [7] [52] [53]! It is entirely possible to make the show funny without mean-spiritedness [9] [14]. Moreover, everyone knew a prime example of a step too far was Bendy [18]. There also ought to be some new exploration for some already established characters in the reboot, such as Eurotrish getting adopted by a kinder European family and Mac’s mother reflecting on her relationship with his father [52] [53]. Could Mac introduce his cousin Candy to the home too [20]? No, not THAT candy [22]! One goal that would make a reboot seem more necessary is refraining from causing what made some episodes be duds to occur again and another would be providing some new exploration that was not in the original series before [12]. 
The reboot of Foster’s Home For Imaginary Friends also does not have to be perfect, but those who do not learn from history are doomed to repeat it [52] [53]. [18]
On a lighter note, I would be chuffed with Cheese making a comeback [52] [53]. HE LIKES CHOCOLATE MILK!!! [17]

I am still up for Craig McCracken’s second concoction for The Powerpuff Girls consisting of small ingredients from some other incarnations throughout the series, including The Powerpuff Girls Z to appeal to those who enjoyed them too [31] [50] [51]. A new episode can make the hinted food-related villains from “Meat Fuzzy Lumkins” return with Fuzzy Lumpkins and the league of broccoli aliens from “Beat Your Green” in an epic food battle [6] [50] [51]. No reference to Smosh intended [34] [35]. Why not welcome back the very first villains, the Amoeba Boys…with a fourth member as a reference to The Powerpuff Girls Z [31] [50] [51]? Reflecting on my recommendation to not do a rehash of the girls in a car without Professor Utonium’s supervision from the music video [26] [50] [51], I am aware that Blossom has been a driver before as Liberty Belle in the episode “Super Zeroes” [32]. Nonetheless, I like the idea of an incarnation of the girls in a separate canon that appeals to a faintly older female audience, so the Dream In Style brand and promotions for it were not too controversial for me [1] [26]. But still, the majority of the second reboot’s reboot ought to grant what McCracken wishes for, much to the appreciation from the fans of the first four seasons of the original series [25] [41]. 
The idea of the girls becoming infatuated with fashion as if they were younger versions of Bratz dolls seems rather out of character for the notably tomboyish Buttercup [4] [26]. Nevertheless, it was quite assuming to see them “attack” the villains by tossing clothes and letting them land on them, which led to them all dancing in a line. Maybe that moment can occur in the second reboot to potentially troll certain parents who still complain about the girls being “a bad example of kids” [52] [53]. [26]
And what can I say? The Powerpuff Girls Z gained a cult following [37], so there ought to be a few minor things regarding the anime adaption in the second reboot in the West, such as an eventual wife for Professor Utonium and a brother for Mayor who can be the principal of the school Bliss attends [31]. I also recommend making Bubbles skills in coding once again or apply that skill to Blossom to keep proving that girls can code too. If there will be a TikTok parody, I just hope it will be portrayed wisely, despite my bitterness towards the app’s negative reputation [27] [43]. [31]

A reboot of Foster’s Home For Imaginary ought to begin with a re-establishment of how Bloo became a resident of the house [5], along with perhaps the home’s origin set in a time when Madame Foster was a young adult. The Leapfrog Didj game based on the original show provided some backstory hints [20], similar to how certain traits of characters are revealed throughout the progression of a summer’s sim’s friendships with them in the Nintendo DS and PlayStation Portable versions of The Sims 2 [16] [40]. Furthermore, the new origin of Bloo’s accommodation can mention that he was imagined to help a three-year-old Mac cope without the blanket he had to give up [20]. Chances are that the recreated origins of the other friends may not fully honour the original ones, but only a few differences would be better than a complete disregard of the deep meaning behind a character’s specific traits. Even Duchess could have an origin that explains why she is so bitter and self-centred [52] [53]. I am aware that a reboot is an entirely separate continuation, but I still recommend including some similarities from other installations outside of the original television show’s run when it comes to re-establishing familiar characters without tarnishing their images [33]. 
As previously stated, there can be more members of the Foster family introduced in the reboot [52] [53]. Will they be passionate about running the foster home too? Could one of them be a journalist for the newspapers [11]? Will any of them be LGBTQ+ for some positive representation? There are quite a lot of possibilities during or after the re-establishment of Bloo’s accommodation. [7]
I suppose a new season of games for the Playdate can feature either the second reboot of The Powerpuff Girls or the reimagining of Foster’s Home For Imaginary Friends [29]. [33]

Surely, the second Powerpuff Girls reboot ought to have some new elements to enhance its individuality and freshness, aside from the strong demand for it to honour the original series. I am not up for spoilers, but maybe the ident that aired on Cartoon Network a few months ago could have given a brief hint or two on what the second Powerpuff Girls reboot could have to offer to make up for so much backlash towards the first one [23] [30] [52] [53]. Different art styles appear throughout the segment, providing creative potential [23] [30]. Every time Bubbles hiccups, there is a new striking art style, including one that looks a lot like the iconic original art style we all have known and loved since 1995 [50] [51]. The second reboot of The Powerpuff Girls will likely be a separate canon from the upcoming live-action film, which would be understandable for bringing back the charm of the original series. Despite my hopes of a new cartoon starring three little Townsville girls being a true spiritual successor [50] [51], I know that it does not have to be perfect when it comes to at least trying to seem fresh for a new young audience, along with an old audience who grew up with the original series. 
I was quite starstruck at the ident when I first saw it a few months ago [48] [49]. I like how the main art style is a rehash of the Dance Pantsed special from 2014 [13], but with the girls wearing black shoes and having white collars on the top of their dresses [30]. I honestly would not mind the second reboot having either this art style… [23]
…yet I do not doubt that many fans would prefer the art style for it to be adapted from this one, as slightly off-putting the hairstyles are here [30]. Nonetheless, it would be best to stick to the good ol’ style that originated from What-A-Cartoon [50] [51]. [23]
In conclusion, it will take some time for two reboots to be imagined on Cartoon Network [25] [41]. Although there is a slight risk of a reboot of Foster’s Home For Imaginary Friends not fully honouring the legacy of the original series, there is still hope for a second reboot of The Powerpuff Girls being preferable over the first one [52] [53]. Despite the optimism and hope I can hold for reboots in production, there is nothing wrong with strongly preferring an original series and vowing to not “fix” what was not broken, but please refrain from bitterness over different opinions [2]. More importantly to many of us, there ought to be something new and fresh within a new property, such as an Xbox Series X/S game that requires the power of the controller to play a magical keyboard throughout a daring quest to save a magical land [54]. I know I cannot always predict the future of entertainment, but I am at least not what some people have made me out to be this year [21]. Furthermore, I wish the talented and inspirational Craig McCracken the best of luck when it comes to reimagining Foster’s Home For Imaginary Friends and a portion of Chemical X added to the second reboot of The Powerpuff Girls [25] [41]. 
Aside from the determination to prove that not all reboots are lacklustre and fury-inducing [50] [51], there ought to be reasonable and engaging continuations, such as a third season of Green Eggs and Ham that could introduce Sam-I-Am’s father and possibly his sibling [28]. Who knows how well Sonic Frontiers will do [48] [49]? I am grateful that my passion for analysing and reviewing cartoons is still appreciated to this day, which gives me the motivation to keep writing reviews and such [3]. [8]
I do not doubt that the two reboots would occasionally make references to one another in honour of Craig McCracken’s new motivations [5] [52] [53]. I would be absolutely delighted if there will also be a reboot of the Pixel Chix franchise [24]. Will us 2000s kids rejoice over the outcome of the recreations of McCracken’s two favourite creations or nearly drown in disappointment [25] [41]? The two reboots do not have to be complete perfection, but it would be cool to see them air at the same time as if we were willingly re-experiencing many things from the 2000s. Well, at least not everything [38]. [5]
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Tuesday, 12 July 2022

Best Of Luck To Luck On Apple TV

It appears that Apple TV+’s services for animation admirers have been doing quite well with the first and second seasons of The Snoopy Show and so on [4] [7] [8]. Could a forthcoming 3D animated film from Skydance Animation and Skydance Animation Madrid, formerly known as “Ilion Animation Studios” titled “Luck” further increase the appeal of Apple TV+’s family-friendly library [2] [3] [45]. As mentioned in my analysis of Shinies : Call Of Light, humbling ourselves to new and fresh ideas for upcoming films and video games can further encourage originality within creative thinking, aside from how already established franchises can try something new to expand their ambitions in fitting ways [11] [21] [32] [33] [50] [51], even though that does not always excel [34]. Obviously, bootlegs do not count [15]. While the designs of new Summer-themed Hazbin Hotel and Helluva Boss merchandise are as hot as the fires of Hell [28], there ought to be something new and fresh in the family-friendly crowd to look forward to. Moreover, let us see how much creative potential Luck has by discussing the aspects of the trailer that was released under a week ago [3] [6] [9]. I sure hope none of my dear readers has broken a mirror or walked under a ladder before browsing my blog.
Pixar’s Lightyear may have bombed at the box office and not won all hearts of film critics [48] [49], but at least plenty of Minecraftsmen and Minecraftswomen had quite a blast with the DLC in Minecraft based on it [29] [51]. As for a brand new intellectual property from Skydance, will its delay to 2022 be worth it [44]? [37]

I cannot help but feel sorry for Sam Greenfield as she constantly suffers from terrible luck [3] [6] [9] [37]. She cannot even enjoy jam on a piece of toast without a few slip-ups. How just one sweat drop passed the sensor of an automatic flusher when a penny is in the toilet must be the biggest pinch of spilt salt rubbed into the wound. Her goal to finally turn her life around may seem quite self-centred but would be worth rooting for as there are times when a character in a TV show went through a hard time, despite never deserving it in the first place, which frustrated the heck of the audience [36]. Additionally, a big part of me does not want the amount of bad luck Sam gets to be too mean-spirited. However, her bad luck suddenly causes a misfortune, leading her to aim to try and restore it, making her potentially more likeable as it shows that she does not only care about herself but the good of humanity [3] [6] [9]. Her journey through a mysterious hidden land can lead to some character progression within a goal the audience can root for, especially when a sudden act of heroism can make the accomplishment far more rewarding. 
I have seen episodes of cartoons with premises centred on luck, such as “That Old Black Magic” in the second season of Fairly OddParents and “How The Cookie Crumbles” in the first season of Yin Yang Yo [22] [53]. Is there a reason why Sam suffers from constant bad luck? Is an ancestor of hers to blame [25]? Would another Sam care to rub some of his luck onto our poor protagonist [38]? Does the poor woman need to kiss a very lucky guy [30]? No, she just needs to fellow a potential sidekick to a new world [3] [9]. [6]

Previously, the black cat named “Bob” taught us how luck works through a shattered fourth wall in the teaser trailer [5]. Voiced by the talented Simon Pegg who also voiced Buck from the Ice Age franchise [26] [27], he is considered very lucky due to his Scottish accent and how black cats are considered lucky in Scotland [5]. In the trailer, he expresses disbelief towards Sam accidentally flushing a lucky penny down the toilet when he meets her [3] [6] [9]. How he unintentionally leads Sam to the Land of Luck vaguely reminds me of Tim Templeton being led to Baby Corp in The Boss Baby [39], yet he frets and tells her that humans are not supposed to set foot in the Land of Luck, which shows that their alliance will be rocky at first [3] [6] [9]. Aside from how lucky he is whilst being unaware of avoiding hazards in his way [5], which seems to push Sam even further to try and relish in good luck for a change [3] [6] [9], Bob’s character might as well as be compared to other cat sidekicks, such as Salem from Sabrina the Teenaged Witch and Socks from Lightyear [20] [31], depending on the further exploration of his personality throughout the film. 
Would Bob remain calm for an appointment with Baymax [1] [42]? His Scottish accent is yet another sign of Simon Pegg’s outstanding talent in voice acting. I bet this lucky kitty would be a great pet for a descendant of Merida from Brave [12]. [5]
Aside from warning Sam that humans are forbidden to enter the Land of Luck and the brief tour that broke the fourth wall instead of a mirror in the teaser [5] [6], how passionate is Bob about being part of the business? Is he an official employee, despite not being a pig, rabbit or leprechaun? [2]

What can be said about the supporting and background characters? In the human world, Sam’s peers are briefly seen reacting to her misfortunes [3] [6] [9]. In the Land of Luck, there is a unicorn named “Jeff” who works as an engineer, as well as a comic relief character. Babe is the dragon with an unusual sense of smell that defects bad luck and seems to have quite a lot of dedication to being a CEO, aside from her ability to breathe fire. Gerry is the adorable leprechaun who warns Sam about it as he blends in the working environment very well for an obvious reason. The variety of employees of the Land of Luck which includes many pigs and rabbits working on the good luck and trolls and goats working on the bad luck expands on the creativity put into the idea of a corporation delivering luck to the world [5]. Thank goodness there are no anti-fairies in the Bad Luck department [22]. The roles of the supporting characters in the Land of luck provide more information on how the corporation affects luck around the world and how they keep going in order [3] [5] [6] [9], quite like the portrayals of the babies from Baby Corp in The Boss Baby [39].
I think Izzy Moonbow has a potential big brother figure [46] [47]. Thank goodness the Teen Titans as leprechauns are not in the Land of Luck either [16] [18]. [2]

How sympathetic Sam’s peers are to her when it comes to her misfortunes is yet to be revealed [2] [3] [6] [9]. It seems that they will at least not be mean about it as mean-spiritedness towards characters who do not deserve it is aggravating [36]. [2]

Let us delve further into the plot and writing. The idea of a land dedicated to delivering both good and bad luck to the world but in separate counties brings out those yin and yang vibes [3] [5] [6] [9], quite like the Scales of Good and Evil in Happily N’Ever After [24]. Reflecting on how unlucky Sam is [3] [6] [9] [37], I can safely say that it ought to just be mild slapstick comedy that does not go overboard with mean-spiritedness to avoid aggravating the audience [36]. As for the way her bad luck causes the good luck in the Land of Luck to vanish [3] [6] [9], there are some vibes of heroism for the sudden change of the protagonist’s goal, leading to more likeability. As previously mentioned, Jeff provides some comic relief for humour other than clumsiness and slapstick caused by Sam’s constant bad luck. I think we can empathise with Bob finding the password to the Land of Luck irritatingly long. As for his alliance with Sam, I do not doubt that it will progress into a strong friendship. Aside from wittiness for a light-hearted tone and some slapstick for some sympathy for the protagonist, how effective will the overall narrative be after flicking a pinch of salt over its left shoulder?
If Sam can restore the good luck of the top half of the Land of Luck with the help of Bob, she would greatly deserve a much luckier life [3] [6] [9]. That is how karma works, right? I sure know a thing about heroism, even during some Monday laughs [23]. [5]
Reflecting on the variety of dedicated employees in the Land of Luck [5], could Sam successfully fixing a big mistake she made change the ways of good luck being controlled by leprechauns, pigs and rabbits and bad luck being controlled by goats and trolls [3] [6] [9]? [5]

The animation is compelling, meeting up with today’s professional standards of 3D animated films [3] [5] [6] [9] [37]. I cannot help but be reminded of Baby Corp from The Boss Baby when I lay eyes on the design of the Land of Luck [39]. However, I would say that the Land of Luck is a little more creative in my opinion as there is, as previously mentioned, a character who is a dragon and an employee who is a unicorn [3] [6] [9], showing some My Little Pony: Make Your Mark vibes [46] [47]. Aside from how splendidly detailed the backgrounds of the human world and the Land of Luck are, the effects of the jars of glitter being spilt during Sam’s shift and the portal to the Land of Luck that resembles a four-lead clover are captivating [3] [6] [9]. There are various shades of green in many areas of the top part of the Land of Luck, including the rows of lockers where Bob gathers a work uniform from. The Land of Luck is like a planet with two sides, looking quite like the Yin and Yang symbol [17]. What else can we expect from a former CCO of Pixar Animation Studios and Walt Disney Animation Studios as the head of the animation for this upcoming film [44]?

Aside from how impressive the animation is in the two trailers, I can tell that the film’s signature colour is green, starting with one of Sam’s jackets before her disguise due to the premise being centred on luck [3] [5] [6] [9], but not quite as much as the thought of Deadpool stealing Green Lantern’s glowing green spotlight in a green version of his suit that may or not be animated [10] [19] [40] [43]. [6]

In conclusion, the idea of a film about an unlucky person travelling to a hidden land of how luck works sounds interesting and could have some good execution and leave a positive impact if the premise is handled well with exceptional writing, masterful animation, and engaging character progression [2] [3] [5] [6] [9] [44]. I hope Sam Greenfield will get the lucky new life she deserves, especially after restoring the luck in the Land of Luck for the rest of the world. From Skydance Animation, Skydance Animation Mandrid and Apple Original Films, Luck has the potential to excel as a fun animated film on Apple TV+ next month, not just by luck. Will its outcome shine like a lucky penny or step on a crack and break a critic’s back? During the wait, plenty of Bratz fans are bewitched by the miniature passion for fashion of the new Mini Bratz line in honour of the franchise’s twenty-first anniversary [11] [21] [32] [33]. Perhaps the forthcoming CGI reboot of Caillou can feature Caillou learning not to throw temper tantrums and practise good behaviour to become a better influence [13] [34] [41]. Other than that, find a four-leaf clover in your garden if you can and have a green apple ready to snack on for Luck on Apple TV+ this August [2] [3] [6] [9] [37]. Symbolism for the win! 
The four-leaf clover and green apple emojis aside, how lucky will this film be when it comes to overall critical reception? Stay tuned and hopefully lucky, fellow animation admirers. [2]
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