Disclaimer
This is an article on the history of a popular animated franchise that mentions concerns regarding:
Reader discretion is advised.
Sugar, spice and everything nice. Those were the ingredients chosen with an accidental dose of Chemical X to create three superheroes who have dedicated their lives to saving the day before bedtime [24]. They say that nothing beats the original, especially if a reboot of a popular cartoon turns out to be a misguided letdown [50]. However, I believe there can be a way to make up for such a misfortune, especially due to a huge risk of a live-action reboot being a complete disaster after only a pilot with some likely changes to a leaked script [1] [27]. Call me an old soul, but I can safely say that the first half of the 2020s has been mostly fearsome and gloomy so far. Furthermore, the current generation could use a few more heroes. How about a brand new animated series starring Blossom, Bubbles and Buttercup [69]? A little change would not hurt as I enjoyed snacking on a slice of Terry’s dark chocolate orange instead of the usual milk chocolate orange on Boxing Day. I mean, what could be next in terms of refreshing familiarity [21]? Reviving the Pixel Chix franchise with some brand new male characters in their own homes and cars [91]?
It all began with McCracken’s college project, “Whoopass Stew!” back in about 1992 [54]. It was quite fascinating how Blossom, my favourite powerpuff girl had her ponytail designed quite differently [19]. More drastically, Professor Utonium was shorter, wore glasses and lacked hair, faintly resembling Dexter from the Dexter’s Laboratory series [68]. Did the whoopass in its can really have to look like something it should not [19]? As quite cheesy as the violence was in the introduction, it at least provided a bit of comical humour. The music during the first-ever encounter of the Amoeba Boys was gaudy and the way the girls made them melt away near the sun was one somewhat toned-down fatality [6] [54] [93]. I am glad that McCracken decided to change the show and group’s name to “The Powerpuff Girls” as it suits the cuteness of the girls’ iconic designs better and it is indeed more appropriate and memorable for a young target audience [54]. Hopefully, McCracken will agree to allow the next of reboot his creation as letting him get involved will make it very faithful to what he intended for what his trio of little girls evolved into, which will be explained later on.
The intellectual property later went on to be part of the What-A-Cartoon series, just like how Cow and Chicken and Dexter’s Laboratory started off as shorts on television before going solo [67] [68]. There were two episodes starring the trio with different premises that introduced Fuzzy Lumpkins when his surname lacked the “P” and re-introduced the Amoeba Boys as…well…less threatening criminals [40] [43]. Bubbles was voiced by Kath Soucie in both episodes, making her sound like Lil from Rugrats. The mayor’s design was drastically different, along with his voice in “Meet Fuzzy Lumkins” [43]. The end of the episode’s climax establishes why the villain Bubbles most commonly fights against is Fuzzy. You better not turn MY hair into meat, okay?! The animation of the two shorts was rather different as “Crime 101” featured an alternation for Blossom’s hair [40]. I sure as heck doubt that a new incarnation of the girls would not like the taste of meat jam nor try to rob a bank as a demonstration for aspiring criminals. I think I will try some of the jam from Letter B on a slice of toast while Professor Utonium makes toast for the girls with the jam from Letter A sometime soon [40].
Now, this is what we all saw coming! The first four seasons of The Powerpuff Girls were timeless and witty enough to be considered late ‘90s and early 2000s classics. One of my favourite episodes would be “The Powerpuff Girls’ Best Rainy Day Ever” due to the delightful portrayal of the girls’ imaginative play based on their duties as crime-fighters [9] [60]. Another favourite moment of mine would be the musical number that restored Townsville’s colours [25]. Despite the outstanding reception, the first few seasons of the original show were not beyond criticism as there was a dud set in Citysville that was far too mean-spirited and had a few holes regarding other episodes. I am also not fond of “A Very Special Blossom” [37]. I will admit that some moments of violence in the show that involved a little blood would not be present in cartoons aimed at children, especially to this day [24] [29] [59]. There ought to be not a drop of blood if the target audience for the next reboot will be children, although I understand that the original show’s violence was never as graphic as the blood and gore in the Happy Tree Friends series [30] [31]. But I digress. How about some sly and subtle jokes for the older ones? Wink wink.
The fifth and sixth season of the original show that featured the updated art style based on the movie under the production of Cartoon Network Studios was when plenty of fans identified a “seasonal rot” [35] [68] [71]. A few episodes were prime proof of such a claim, including “Sun Scream” and “Girls Gone Mild” [61] [70]. It was bad enough the film was not financially successful [51]. But as a 2000s kid, I did not mind the post-movie seasons of The Powerpuff Girls as I personally enjoyed some of its episodes, such as “Silent Treatment”, “West In Pieces”, and “Oops I Did It Again” [46] [92]. Furthermore, I can see how the complaints the film and the show received for its excessive use of violence were challenged in “Girls Gone Mild” [29] [51] [59] [61]. I also saw some interesting and new character development for the girls in “Crazy Mixed Up Puffs” and I thought the redesigns of the Rowdyruff Boys in their return were more preferable and recognizable [14] [68]. I would say the final two seasons of the original show with the newer art style was a mixed bag. Perhaps the start of a new cartoon starring the three pint-sized superheroines can re-establish their origin or expand on it as they further develop their skills in civilization and managing their superpowers.
This is an article on the history of a popular animated franchise that mentions concerns regarding:
- Blood and gore within cartoon violence
- Transphobia
- Accusations of pedophilia
Sugar, spice and everything nice. Those were the ingredients chosen with an accidental dose of Chemical X to create three superheroes who have dedicated their lives to saving the day before bedtime [24]. They say that nothing beats the original, especially if a reboot of a popular cartoon turns out to be a misguided letdown [50]. However, I believe there can be a way to make up for such a misfortune, especially due to a huge risk of a live-action reboot being a complete disaster after only a pilot with some likely changes to a leaked script [1] [27]. Call me an old soul, but I can safely say that the first half of the 2020s has been mostly fearsome and gloomy so far. Furthermore, the current generation could use a few more heroes. How about a brand new animated series starring Blossom, Bubbles and Buttercup [69]? A little change would not hurt as I enjoyed snacking on a slice of Terry’s dark chocolate orange instead of the usual milk chocolate orange on Boxing Day. I mean, what could be next in terms of refreshing familiarity [21]? Reviving the Pixel Chix franchise with some brand new male characters in their own homes and cars [91]?
It all began with McCracken’s college project, “Whoopass Stew!” back in about 1992 [54]. It was quite fascinating how Blossom, my favourite powerpuff girl had her ponytail designed quite differently [19]. More drastically, Professor Utonium was shorter, wore glasses and lacked hair, faintly resembling Dexter from the Dexter’s Laboratory series [68]. Did the whoopass in its can really have to look like something it should not [19]? As quite cheesy as the violence was in the introduction, it at least provided a bit of comical humour. The music during the first-ever encounter of the Amoeba Boys was gaudy and the way the girls made them melt away near the sun was one somewhat toned-down fatality [6] [54] [93]. I am glad that McCracken decided to change the show and group’s name to “The Powerpuff Girls” as it suits the cuteness of the girls’ iconic designs better and it is indeed more appropriate and memorable for a young target audience [54]. Hopefully, McCracken will agree to allow the next of reboot his creation as letting him get involved will make it very faithful to what he intended for what his trio of little girls evolved into, which will be explained later on.
Now, this is what we all saw coming! The first four seasons of The Powerpuff Girls were timeless and witty enough to be considered late ‘90s and early 2000s classics. One of my favourite episodes would be “The Powerpuff Girls’ Best Rainy Day Ever” due to the delightful portrayal of the girls’ imaginative play based on their duties as crime-fighters [9] [60]. Another favourite moment of mine would be the musical number that restored Townsville’s colours [25]. Despite the outstanding reception, the first few seasons of the original show were not beyond criticism as there was a dud set in Citysville that was far too mean-spirited and had a few holes regarding other episodes. I am also not fond of “A Very Special Blossom” [37]. I will admit that some moments of violence in the show that involved a little blood would not be present in cartoons aimed at children, especially to this day [24] [29] [59]. There ought to be not a drop of blood if the target audience for the next reboot will be children, although I understand that the original show’s violence was never as graphic as the blood and gore in the Happy Tree Friends series [30] [31]. But I digress. How about some sly and subtle jokes for the older ones? Wink wink.
Oh. And this is pretty much how I felt when I was a fan of Sonic the Hedgehog [18]. [37] |
I got my own thing! Yeah! Yeah! [36] [72] |
There was also a manga series of The Powerpuff Girls Z. Surely, not every fan enjoyed the anime adaption, but it was still quite popular back in the day. [48] |
Surely, there can be the grand return of the Rowdyruff Boys with a re-established yet faithful origin for them in a new reboot. Besides, they were also adapted for the Powerpuff Girls Z. [48] |
There is a right way to do a reboot…and there is a wrong way to do a reboot. [87] |
I sure hope the next reboot will be a lot more LGBT-friendly by featuring some same-sex couples with their own adopted children in backgrounds. Oh! And no minors twerking please! [76] |
I guess there can be some development for Blossom, my favourite of the trio that would lead to her learning to be less bossy at some point. I am sure a new Bubbles will be as adorable as the crossover between Hello Kitty and Pusheen the Cat [55] [56] [57] [58], even though “Bubblevicious” from the first four seasons of the original show was a prime example of interesting character exploration [8]. I am quite interested in how she became skilled in computer programming in the reboot [77], even though I think it would have made more sense if Blossom had that skill as she is the smart one. Perhaps the next cartoon should reduce Blossom’s uptightness, portray her skill in speaking a specific Chinese dialect, keep Bubbles interested in computer programming, along with speaking Spanish and Squirrel and make Buttercup’s flaws more balanced with her nobility to her sisters to ensure that their portrayals will be more faithful to what McCracken has intended during the original show’s run, as well as faithful to the small amount of redeeming qualities from the reboot [50] [68] [84].As usual, Blossom should be the smart one for excellent leadership, Bubbles needs to be the cute one for a little light-heartedness and Buttercup must be the tough one in honour of tomboy representation.
And lastly, make sure they can all play instruments in a band [80] [86]! Rock on! [25] |
And of course, a new theme song and opening sequence ought to be exceptional. [24] |
- A convincing art style for the pint-sized heroines
- Likeable and convincing portrayals of the characters, including the supporting ones
- Thrilling and comical fighting sequences without grotesque detail [29]
- Reliance on intelligent and imaginative writing rather than real-life trends [50] [68]
- The return of some classic characters, including Ms. Bellum and the narrator [50]
- New and improved portrayals of characters from the reboot, including Bliss and Donny [38] [41]
- Some dark moments to provide a little maturity when it comes to exceptional writing [33]
- Signs of being a true successor to the original show, including the middle school from the misguided reboot [44]
- Likely signs of being a prequel to the forthcoming live-action pilot [1] [27]
And so once again, an article has been written! Thanks to…Laura Amy Williams! [3] |
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