Angela Anaconda’s Promising Premiere For A Redeeming Revival?

Do you remember that weird television show about a brown haired girl with grey skin fantasising about getting far-fetched revenge on her blonde haired nemesis [35]? I certainly do. Angela Anaconda was a cartoon with a strangely unique art style created by Joanna Ferrone and Sue Rose that ran for three seasons from 1999 to 2001 [1] [3]. It was originally a skit on KaBlam! a time before that with many noticeable differences [24] [29] [30]. Despite its rare and unique techniques of animating with photographs of people [17] [35], its animation and art style received a lot of backlash for looking “ugly” and the characters were considered to be not that likeable [33] [38] [39]. Nevertheless, it has received its own fanbase and everyone is entitled to their own opinions [8]. I am fairly neutral to the show as I remember watching and tolerating it as a child, but I understand why many considered it to be heavily flawed as a young adult. But what if there ought to be a sudden reimagining of the show for early 2020 after some fans of the original show celebrated its 20^th anniversary towards the end of the 2010s [8]?

Where it all started. [24]

What?! A reboot?! [39]

Despite the negative reception Angela Anaconda has received throughout the years, a woman named Alexandra Bender who is determined to reboot it seems like a talented person who has the right hands for it under agreement with the creator and original crew [9] [11] [15]. As a fellow cosplayer, I admire how she sometimes cosplays as Angela as she appears to be quite a big fan of the show [8] [10] [41] [42]. In addition to this, there are some examples of her respectfully and rationally disagreeing with those who have negatively reviewed the original show and maintaining a wonderfully respected reputation whilst doing it [7] [18] [19]. This is a sign of Bender having the potential to at least figure out what could make a reimagining of Angela Anaconda provide some smaller changes for the better, despite her love for the original show [8]. With the ability to balance maintaining what made her admire the original show with understanding what smaller aspects of the show could have been more tolerable to many critics [18] [19], some noticeable improvements featured in the revival would be worth the determination she has felt for quite some time [11] [16].

Alexandra Bender in her Angela Anaconda cosplay outfit with an Angela Anaconda doll. [8]

Potential for a reboot of Angela’s life was teased on Bender’s channel in late 2019 [9] [11]. One change I find to be quite strangely refreshing is the fact that Angela’s skin tone has been changed from light grey to peach [16]. This must be just to give the old animation style that involves using photographs from the original show a fresh new look that would seem more convincing for new audiences. I think I can trust Bender’s creative direction as she has some experience with developing her own intellectual property with some colleagues, Katharina the Supervillain [12]. As for the full new introduction we now get to see, the first thing I had noticed is the lack of nasally vocals. It is too bad that Sue Rose has not returned to reprise her role as Angela Anaconda for a rebooted series as there is no voice acting present in the reimagined introduction, but at least the instrumental of the theme song is still around. Since Bender seems to be so passionate about this potential reboot, I think she should be the new voice for Angela as she has cosplayed as her a few times and once sang the theme song beautifully [10].

Here is a preview of how a new Angela Anaconda will be animated. [16]

And here’s an Angela with the voice of an angel. [10]

Aside from the new vibrant skin tone for the characters, let us start the comparisons between the old designs and new designs, including the KaBlam! designs with the main character [13] [29] [30]. The new peach-skinned Angela is still wearing the white T-shirt and orange dress the original grey-skinned Angela wore throughout the three seasons of her show from 1999 to 2001 [1]. I can say that those designs are better than her appearance from the KaBlam! shorts that had a taller head, along with lighter and cruder hair [24]. I supposed Bender wanted the main starlet to maintain the attire that made her more iconic, compared to the stripped jumped and black patterned skirt she wore in her KaBlam! days. I like how the limbs of the new Angela look thicker and more realistic, along with how the greenness of her eyes slightly stands out more [13]. It is quite refreshing to witness such an upstaged design of a character from a more obscure nostalgic cartoon. I can say that this is pretty much like doing a “Draw This Again” meme on DeviantArt to compare on old drawing from a few years ago to an improved redo of it [6].

I put Angela’s old design next to her new one. I can also see that the same photographs of young model faces are used for the redesigns to save time for animating. [13]

Angela’s design from KaBlam! was less convincing with cruder hair and a taller head. [30]

Dare I compare the designs of Ninny Poo? I say the navy blue beret she wore in the original show suited her strong interest in French culture better than the light pink bow she wore in the KaBlam! shorts [5] [29] [30]. Her black pleated skirt and sophisticated blouse also suit her fondness of being a French-culture loving equivalent of a weeaboo better than her classy pink dress in the KaBlam! shorts [21] [29] [30]. Apart from how Nanette Minor’s attire is pretty much the same as her attire from the original show except for her beret being a dark shade of purple smaller and her hair is lighter, Angela’s fantasy shown in the reimagined introduction serves her right for throwing a tomato at her face for no other reason than just to be a nuisance [15]. Nanette also now consists of the more realistic anatomy and more human-like skin that her nemesis has received. However, just because a character’s new design is better than the old one, does not mean that she will magically become all sweet and innocent for new audiences. All that glitters is not gold, including the white piano Nanette is standing on in the rival’s return [15].

Mean girl in 2000 alert! [5]

Mean girl in 2020 alert! [15]

Let us also compare the new designs of the other characters that feature peach skin in the new theme song video to their old designs from the original cartoon, as well as the quality of the animation [15]. Gina Lash, Angela’s intelligent best friend has received the most drastic and more modern change [8] [9] [35]. Her new design looks more vibrant with dark curly hair and a more eye-catching top with flowers printed on it, along with jeans and brighter glasses [8] [15]. Johnny Abatti now wears a red T-shirt in the reimagined intro [9] [15], compared to the shirts he wore in the KaBlam! shorts and the original show [6] [29] [30]. Gordy Rhineheart’s new attire is also brighter and more eye-catching [2] [8] [38]. The more realistic anatomy also applies to all of the other characters. The animation looks slightly more fluid in the reimagined introduction, compared to the animation in the original show [8] [15] [35]. The characters move more gracefully and have far more convincing expressions than the ones in the KaBlam! shorts, which enhances the appeal of the updated character designs [15] [29] [30]. Improved animation and an upstaged art style are some signs of a new interpretation of an intellectual property that is willing to be an improvement.

Welcome to the 2020s, Angela’s friends! [9]

Amazzon, Amazzon! Rebooting me! She’s our hero, golly gee! [38]

Let us look into some other aspects before expressing some thoughts on how the writing for a potential reboot could also be refreshed. The background for the stage with blue curtains provides clearer materials than increase the realism of the new art style. As for the audio, during Angela’s revenge fantasy as a strong gust of wind blowing away her foes, there could have been some wind sound effects, along with some feminine screaming [15]. Additionally, there could have been appropriate sounds for the lamp on Angela’s piano and the rope wheel for holding up the new logo [15]. Apart from those missed opportunities, I am not too sure about the use of smartphones in a reboot of a cartoon from the late 1990s and early 2000s. Hopefully a fully established new series of Angela Anaconda will not rely too heavily on meme culture and 2010s trends at times [20], which is one of the reasons why the 2016 reboot of The Powerpuff Girls has been negatively received by many fans of the original show [31] [32] [40]. Nevertheless, that design of Gina Lash’s phone is stunning [9] [15]. Apart from those differences, the new writing ought to be familiar yet consistently revised.

A comparison between the two backgrounds. [15] [35]

Since Nanette was always meant to be the antagonist of the series [5], she would need to do something quite deplorable before being involved in any of Angela’s surreal fantasies in a reboot of the original show. The way she callously hurled a tomato at her target in the new introduction is a prime example [15]. That way we can see them being justified and not negatively affecting Angela’s character, thus maintaining the audience’s belief in her being the at least better person. It always works for when Angelica Pickles gets karma in many episodes of Rugrats, right [34]? Revenge fantasies against an antagonist is the main highlight of the original show [39], but I think if a reboot ought to truly happen, the new fantasies should hopefully not be too unsettling as that one fantasy Angela had in the original show went a little too far by mildly expressing cannibalism [33], thus undesirably affecting her character development. Not only should there be at least interesting premises and funny lines in each episode of a reboot but also surreal revenge fantasies that do not become sadistic [8] [33]. After all, it is supposed to be a reimagining of Angela Anaconda, not Happy Tree Friends or Mortal Kombat [23] [28] [37].

FATALITY!!! [15]

There is one more thing I would like to discuss about the potential revival of Angela Anaconda and that is no other than the changes to the logo [9] [14] [15]. The new logo looks sharper and lacks the pattern the original logo consisted of. There is also a trial layer behind each letter and red ovals over six of them, apart from the circle over the “o” and the triangles over the capital “A”s. These choices help the logo stand out well and slighter easier to read. I like how the logo has not changed so drastically, which can help the reboot receive more recognition for simply being a recreation of the original show, even though some properties still maintain their recognition after much more drastic changes to their logos [25] [26] [27]. The clear appearance of the new Angela Anaconda logo can not only further prove that the re-establishment of Angela Anaconda is ought to be a refreshing reboot but also be beneficial for plenty of dyslexic viewers. 

The new and more readable logo for the reimagined title sequence. [9]

Overall, a reimagining of the Angela Anaconda title sequence is quite an interesting introduction to cartoons in the 2020s [9] [15]. The team behind it has been a great job at making it true to the original while providing some alternations to make it fresh for new audiences. Even though a full reboot of the series has not been fully established yet and might be only uploaded online once it is, it is impressive how a huge fan of the original show are her creative team can potentially balance both sides of the spectrum; those who loved it and those who loathed it. There is a right way to re-establish a series and there is a wrong way to re-establish a series [22] [36] [40]. Could the new and seemingly improved Angela Anaconda be done in the right way? If so, we will see how much the intellectual property has progressed since the days of her being featured on KaBlam! [29] [30]. Furthermore, the critics who dissed the old Angela Anaconda might imagine it being pwnd by the new Angela Anaconda in some revenge fantasies.

Take a bow, everyone! [15]

References

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Helluva Boss – Hell Of Potential

Disclaimer:
This is an analysis of a trailer for an upcoming cartoon that contains strong profanity, one moderate sex reference, one moment of hidden strangulation and rather hellish imagery. Reader discretion is advised.

Not too long ago, I watched the pilot for the brand new adult cartoon “Hazbin Hotel” and praised it for its interesting concept, unique interpretation of Hell, fantabulous art style, exceptional animation and fascinating characters [17] [29] [30]. I even began to see Vivienne Medrano as an inspiration when it comes to creativity and leadership within the production of an original cartoon series [13] [29] [30]. Despite how positively I reviewed the pilot, I can also agree with how some reviewers have pointed out some issues, such as how some characters could be seen as recycled tropes, how many characters were introduced too quickly and how the audio in some scenes was slightly excessive [10] [14] [15] [22]. It was not long until I noticed the trailer of another intellectual property on Medrano’s YouTube channel that could be classified as a spin-off [12] [18]. Considering how a supposed spin-off is proposed to expand on the depths of Hell after the success of Hazbin Hotel, I like how the first word of the title is a play on the phrase “Hell Of A” [12] [18]. Other than that, let us dive into another new circle of Hell as we watch the trailer for the upcoming cartoon, no matter how hard we repent for our sins.

Immediate Murder Professionals? I do not think I want that kind of job after I die. [12] [18]

We can see that Blitzo’s goal associated with helping other demons in Helluva Boss is the polar opposite of Charlie’s objective in Hazbin Hotel [17] [18]. He wants to help damned souls get revenge on those who have wronged them by killing them on Earth while Charlie hopes to get some demons to develop morality [17] [18]. One example of a demon who believes that his damnation is unjustifiable is that he only killed her wife because she was having an affair with a delivery man while he was still alive in Ohio. I would not be surprised if his unfaithful wife ends up in Hell as well as there is a commandment in the Bible that condemns adultery [26]. After assuming that the two cartoons from the same team of talented people are set in the same interpretation of Hell, I can now see that they truly are as Helluva Boss will provide more characters who have different goals and perspectives, compared to the characters from Hazbin Hotel [17] [18]. Since the pilot of Hazbin Hotel featured a song about Charlie’s dream of running a hotel for a good cause [16], could Blitzo sing a song about vengeance against mortals?

ANGRY BUFF DEVIL IS ANGRY!!! Oh, and this guy hired them. [18]

Despite how trying to kill someone who wronged you is just a step too far, the samples of music chosen for the trailer sounds like music you would hear in a promotional video for a business. Furthermore, we are assured that Helluva Boss will be a dark comedy for adult audiences rather than an animated horror short film. [18]

Once again, the animation and art style are exceptional [18]. Surely the design of the characters is demonic, but it is once again done with that surreal and cartoony charm, despite being less colourful than the character design in Hazbin Hotel. Despite less colour put into the office scenes, it still fits the atmosphere of a bunch of demons running a co-operation that aims to help demons get revenge on mortals who wronged them. The devil characters stand out well from the office setting with the red, white and yellow parts of their designs, despite how there is very little to no shading to help further enhance the way they fit in. What enhances the art style, of course, is the lively animation of the characters. At least there are no lip-syncing fails like the ones in Paddy the Pelican and Ren Seeks Help [9] [23] [25]. Considering how Helluva Boss is set in the same interpretation of Hell as Hazbin Hotel, it is no surprise that the animation and art style excel, thus truly representing more of such an interpretation’s sightings and beings, though some minor flaws in the pilot of Hazbin Hotel pointed out by two reviewers can be absent.

A present for you by a set of creepy masks, my little señorita. [18]

Can these newly revealed characters further enhance the proposed concept? The way Blitzo runs his own business and acts persuasive in an advertisement for it reminds me of how Alastor convinces Charlie to let him participate in her hotel business in Hazbin Hotel [17] [18]. I was quite shocked to see how he hangs a mortal with a rope to strangle him to death in his room, but at least he seems to have that business-dedicated vibe Charlie consists of. As for Moxxie’s character, we can see that he sees his circle of friends so far as simply a business rather than a family [18]. Other than the way she puts her middle fingers up during a meeting, we are yet to see elements of character development of Millie, the other devil working with Blitzo [18]. Loona, a receptionist who is a hellhound looks very cool with a pentagram near her top, thus her design could be some inspiration for a fursuit for cosplaying [18]. Could she be shipped with Alfred Alfer by some fans of edgy adult animation [27] [28]? Probably not. We are yet to see any development of the characters outside the hotel being run by the princess of Hell [17].

The main cast of Helluva Boss: Blitzo, Moxxie, Millie and Loona. [12]

We are also introduced to Stolas, a mysterious character who highly resembles a king. I suppose he may look for some companion as he mentions his loneliness [18]. On the other hand, since his movement on the couch reminds me of Angel Dust’s movements in one scene of Hazbin Hotel [17], he might be looking for some…sensual favours. [18]

I can say that the voice acting for each character is acceptable, just like the voicing in Hazbin Hotel [17] [18]. Brandon Rogers’ voice and tones suit the cunning character of Blitzo excellently, thus providing a way to make him a convincing yet devilish businessman [18]. Medrano is so lucky to have the awesome Richard Horvitz as a voice actor for Moxxie as he is well-known for being the voice of:

•      Billy from The Grim Adventures of Billy and Mandy [20]
•      Zim from Invader Zim [11] [21]
•      Kaos from the Skylanders franchise [1] [2] [3] [4] [5]
•      Stuart Zurgo from the Ratchet and Clank: QForce [24]

She is also very lucky to have the talented Brock Baker voice another character named “Stolas” as we have witnessed his talent in doing various impressions of many fictional characters on his official YouTube channel [7] [8]. Loona sounds like a rough girl you might not want to mess with, even when she is simply looking at her smartphone, thanks to the vocal performance of Erica Lindbeck [18]. With a team of some experienced voice actors and a voice actress, the dialogue will not only appeal to an adult audience with plenty of profanity but increase the memorability of the characters.

More piggies, sir! I DEMAND PIGGIES!! [11] [18]

Working on two animation projects for the same season within the same year sure is more hard work, but it at least shows further ambition and determination. Additionally, as well as devilishly, it is a sign of expanding a fiction universe interestingly by providing new and refreshing aspects [17] [18]. I bet we will soon see a crossover titled “Helluva Hotel” when the Hazbin Hotel series begins. Remember, my fellow demons and dear sinners, neither Helluva Boss or Hazbin Hotel are the first time the producer has established a cartoon version of Hell. “The Son of 666” was the first animated short uploaded on Medrano’s YouTube channel back in April 2013 and showed a brief vision of Hell [19]. Since Helluva Boss is to be released on the 25^th of November, thus spooking out viewers even more throughout late 2019, you can tell Medrano’s legacy as a creator has made it this far as you look back at “The Son of 666”. Best of luck to Vivienne Medrano and her crew on making another animation project possibly another huge hell of a viral hit with perhaps somewhat improved writing for those who found it quite flawed [10] [14] [15] [22].

VivziePop has come a long way since her short film for her third SVA year. [19]

From a dysfunctional father and son relationship to a bunch of demons killing sinful humans on Earth. Such…interesting progress. [12]

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30. Williams, L. (2019). Hazbin Hotel’s Pilot - Hellish, Yet Highly Outstanding. Available: https://laurawritesaboutcartoons.blogspot.com/2019/10/hazbin-hotel-review.html. Last accessed 16th Nov 2019.

Green Eggs And Ham On Netflix – Is What It Offers A Good Mix?

You may have noticed that I have analysed cartoons and games many times.

I believe that I can make this analysis refreshing with a load of rhymes.

My reason for this is to discuss a trailer and sneak peek of a new cartoon.

It is on Netflix right now, but I will not spill spoilers like a buffoon [13].

Additionally, I can jam out to its theme song as it sounds pretty hip [12].

Performed by Sing Along and Rivers Cuomo, it is simply titled “Backflip” [12].

I am fascinated to see what the new adaption has to offer so far [11] [13].

I am fond of Dr. Seuss stories for how timeless and charming they are.

I am aware that there was an animated musical based on the book back then [7].

As for late 2019’s apparently non-musical adaption, I could say when [13].

Too bad about the live-action movie based on The Cat in the Hat [19].

Remember how plenty of reviewers really did not like that [2] [3] [18]?

There is so much potential from a new cartoon based on a timeless book [11].

What has been released before its run on Netflix? We shall take a look.

There was also an animated musical based on The Cat in The Hat.
As a fan of cartoons and musicals, I am also fond of that. [4] [9]

Like how a lonely sheila needs a loving bruce,
Every generation needs a bit of Dr. Seuss. [11]

We are beyond the days of the live-action The Cat in The Hat movie [19].

Considering that new Green Eggs and Ham show is 2D animated. How groovy!

The animation flows smoothly, which means that reliable animators were found.

The colours on the characters are radiant and stand out from each background.

At least they do not seem to stand out from the backgrounds too obviously.

Avoiding too much saturation is a sign of taking a good art style seriously.

The beautifully done night sky at the start of the sneak peek bewitches me [13].

There are some gorgeously done backgrounds in the city to see [11] [13].

Some of its aspects, including lamp posts and doors seem quite surreal,

Which shows that the artists were sure to give out that Dr. Seuss appeal [11] [13].

As for the lyrics in the lyric video of the cartoon’s theme song [12],

Each line is displayed suitably and creatively, so you might as well sing along.

The appearance of the Whos is faithful to the books’ character designs [13].

Overall, I say the art style and animation are more than fine [11] [12] [13].

Even the plants outside a shop nail that iconic Seuss style.
I can honestly say that this colour palette does not look vile. [13]

This ninja’s ability to surf on a paper airplane is sure to impress.
The beautiful starry sky is sure to help relieve some stress. [13]

The start of a sneak peek begins with Sam-I-Am fully disguised in black [13].

Maybe the beast he frees feels lonely in a cage, so I will cut him some slack.

I like how he answered the narrator’s question by making a paper airplane [13].

With some Sly Cooper vibes in his first scene, he was remaining sane [16] [17].

The cheerfulness of Sam’s character in the city makes him adorable [13],

So I am sure that his efforts in releasing a beast at night were not deplorable.

I know he was pestering and quite stalker-like to his guest in the original tale [1],

But at least the new cartoon interpretation of him does not make me wail.

In one scene shown in the trailer, I find it sweet and cute how he tickles Guy,

But at some point, he apparently steals his wallet three times [11]. Sigh.

Luckily, in the sneak peek, he shows sympathy for the yips [13].

His friendliness to the citizens would lead to a lot of tips.

At least the trailer promises to show plenty of his ambitions in how to cook [11]

Because his recipe for green eggs and hams was the main focus of the book [1].

Who never knew Sam-I-Am’s positivity would be so cute?
Please do not let this guy become mute. [13] 

If I saw this Sam looking sad,
I would try my best to make him glad. [11]

I found it quite odd that Sam’s target for a taste test is named “Guy” [11] [13].

Because I briefly remember his first name actually being “Joey”. Why [23] [24]?

We may not like how Guy is grumpy and anti-social to everyone at first [13].

Aside from the change of his fur colour, do not let his bubble burst!

But there is a legitimate reason why his character is just not very bright.

He appears to have low self-esteem before his turn in the spotlight [13].

I am fascinated in Guy’s quite ironic ambitions in inventing things.

I am bewildered that the thing he shows the judges is a dozen arms for wings [13].

I can sympathise with the way he expresses sudden doubt

As I also feel doubtful when I want to show what I am about.

At least his bitterness is faithful to how he behaved in the book [1],

Especially how he expressed disgust towards a recipe from a short cook [11].

I like how we can see more positive personality traits from Sam.

And I see that Guy is not only cranky towards green eggs and ham.

I remember Guy-Am-I’s previous incarnation’s fur being lighter,
But I can relate to this one’s personal struggle as a writer. [13]

Remember when the old Guy-Am-I wore a black hat?
The new Guy-Am-I has a brown one and I am okay with that. [1] [7] [11]

In the trailer, I see expansions on where Sam offers Guy to eat the meal [11] [12].

The new version of the mouse acts rather bitter. What is the big deal?

I was quite shocked to see the duo suddenly wearing striped hats in jail [11],

But at least the series ought to provide interesting conflicts in order to not fail.

I can see there is a more realistically designed adaptation of the car

And some scenes exclusive for the cartoon will make their journey quite far [11].

A scene of snow and a cruise ship-shaped submarine are what I can spot [11].

The added aspects of the tale ought to make a decent plot.

I like how the colourful pinwheels lighten up around Sam in a tree,

But putting a credit card in a shredder would really unnerve me [11].

Just in like the book, Guy should often simply refuse to eat the eggs or the ham,

But a lady in the house at least has a legitimate reason to say “No” to Sam [11].

I understand she is vegan, but I would try a sample of the ham and eggs [5]

Before I chow down on a sweet treat after buying it from Greggs [6].

The cartoon’s version of the car may not have that familiar surreal look,
But it still seems like a legitimate reference to the book. [1] [7] [11]

I am up for a cartoon based on a classic book that can offer something new.
But travelling to Meepville in a sewer?! Ewwwwwww!! [11]

The trailer and sneak peek provide plenty of humour in some scenes

Other than Sam’s efforts of trying to persuade Guy to eat the greens [11] [13].

The tolerable and expressive voice acting adds to humour’s legacy [8]

And adds to the setting’s sense of the timeless Seuss-styled fantasy [11]. 

I am surprised to see someone willingly swim in a puddle of rain

And the adorable Sam is the one to do it and remain humane [13].

I would be interested to see the show’s portrayal of the fox [1] [7], 

Along with any conflict or humour when they encounter a box.

I like how the profanity from the mouse is censored with squeaks [11].

The lighthearted writing and witty humour enrich the trailer and sneak peek,

Yet I know the sneaky reference to duck lips is a shout-out to today’s youth.

However, I can slightly disagree with its use without grinding any tooth [13].

I guess I could watch a couple of episodes with my boyfriend at his house

And hopefully not be given any insults by a French-sounding blue mouse [11].

I enjoyed how the narrator was muted by an invention broke the fourth wall [13].

The executive producer is Ellen DeGeneres, so the audience might have a ball [10] [20] [21] [22].

The voice acting sounds pretty neat [8].
It would win hearts without deceit.
Could there be emotional development between each opposite?
Will a companionship slowly grow bit by bit? [11]

As someone who likes to take a selfie sometimes,
I will admit that some trends can be less creative than cheesy rhymes. [13]

In conclusion, there seems to be a good expansion of the story of Guy and Sam.

You can clearly see how fascinated at the trailer and sneak peek I am [11] [13].

I only wanted to analyse the trailer to avoid spoilers for every one of you.

Feel free to watch the show yourselves and judge it in your own reviews.

It has been quite challenging for me to write this analysis in a series of rhymes,

But I have enjoyed expanding my comfort zone in journalism this time.

A creative take on analysing a new cartoon was hopefully worth the wait,

But I hope the publication of this article during the show’s airing is not too late.

The title of the trailer did state that there is definitely a first season [11].

If there is a second season in the year 2020, critical success is the reason.

As someone who remembers playing the Living Books game based on the tale [1],

I believe that the upcoming cartoon that is an expansion will not fail.

My sincere apologies if the method of rhyming has annoyed you.

Until then, dear readers. Stay ambitious and true.

The way I rhymed in this analysis reminds me of Grunty from Banjo-Kazooie [14] [15].
You will know that I am fond of that style of writing if you knew me [25] [26].
Would you like to try green eggs and ham with me?
Or do you want me and my rhyming to let you be? [11]

References

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